1. |
Milkcrate
02:28
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In a corner in a basement of an old house, there's a speaker that we left there spitting static to a neighborhood that I grew up in. I still live there but it's different now, now that we've moved out of the place I loved. In the beds we made and the clothes we wore there are traces of a former love and a long-lost friend we can't wash out. Some will gravitate towards other towns with a different set of streets on grids. I wish that I could have known back then what I know right now, but we were only kids. Though hindsight offers clearer eyes, what the future holds is twice as bright. And I'm old enough to realize that the past ain't always left behind.
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2. |
Stale Air
03:23
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Reception crackles on a lonely interstate and I can't settle my stomach. I'm fortunate enough to get to see what lies beyond these four walls in a lonely apartment. I still wanna get home. I'll drive all night to get back to you. Closing the distance as fast as possible. But it's distance I created and it's fucking harrowing. I'll never tell you anything I don't mean. And I can almost feel it but my senses leave me cold. I tried my best to escape it but it won't let me go. I need a breather. I've been inhaling stale air for way too long. Closing the distance as fast as possible. Through the pains and the pacing there's a semblance of a purpose. Sift through the scribble. You can decipher me. I'm not that hard to read. Silver-white light, rain down acceptance on me and when I wake I'll be renewed.
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Signals Midwest Cleveland, Ohio
we are a punk/indie band from Cleveland, now spread throughout OH and PA. we've been doing this together since 2008. we have been lucky enough to see the world together but will still play in your kitchen or anywhere really.
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There's something about the place that we grew up
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Takes over my life
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Another perfect release from contemporary emo powerhouse Run for Cover records.
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450 / I Seek Misery
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This two-track EP from the Auckland-based post-punk outfit mixes punk and hardcore aesthetics.
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This lean and ferocious record proves there’s still greatness to be drawn from hardcore’s base elements.
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supported by 7 fans who also own “French Exit/Signals Midwest Split 7"”
In context of how there is a named syndrome about how difficult second albums are, could this be the only second album where all tracks are better than any on the first full-length?
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